Music: World Series

In Music: World Series, musicians from different cultures and continents improvise to their hearts content. Proceeding from their own ideas, they come together and tell new stories with their music, guaranteeing a surprising evening time after time.
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Music: World Series presents journeys ‘round the world that are full of surprises, spontaneity, and passion for musicians and the public. Leading musicians from the worlds of jazz and world music combine the centuries old and familiar with the new and untried. They draw up new land charts by making musical connections and in this way to create new sounds, rhythms and timbres. Their groundbreaking work can be heard at various venues in Music: World Series.

kora (African harp) Bao Sissoko (Senegal) | guitar Mark Tuinstra (NL) | tabla Niti Ranjan Biswas (Bangladesh) | alt violin Oene van Geel (NL)

Music: World Series presents journeys ‘round the world that are full of surprises, spontaneity, and passion for musicians and the public. Leading musicians from the worlds of jazz and world music combine the centuries old and familiar with the new and untried. They draw up new land charts by making musical connections and in this way to create new sounds, rhythms, and timbres. Their groundbreaking work can be heard at various venues in Music: World Series.

Cross over percussion with the piano as melodic midpoint
In Skins & Keys, three percussionists from Germany, Iran, and Bangladesh, and a jazz pianist from Cuba join together in a quartet. How different music sounds when percussionists merge Oriental, Caribbean, and other percussion traditions, while the piano takes the melodic lead. Nils Fischer, Afra Mussawisade, Niti Ranjan Biswas, and Ramón Valle meet each other in improvisations where the melodic piano sets up a sturdy framework for the rhythm section.

Nils Fischer (Germany) tumbadoras, percussion | Afra Mussawisade (Iran) percussion-kit, percussion | Niti Ranjan Biswas (Bangladesh) tabla, percussion | Ramón Valle (Cuba) piano

A new idiom by five musicians from the jazz, improv, and world music scenes

Sometimes sound colour has to win out over tradition. Bass saxophonist Klaas Hekman went to work with this idea when he put together the new ensemble The NOO Ones. Hekmans, a manic instrumentalist, always in search of freedom and naturalness in music, ended with five different musicians. The NOO Ones forms an adventurous interplay where each member puts their own ideas, compositions, and improvisations to the group as a challenge. The ultimate goal is finding a distinct group sound.

The brilliant and equally controversial jazz musician Sun Ra and Bollywood music don’t seem to have much in common on the face of it. Yet both have a groovy side and leave lots of room for improvisation. All this is grist to the mill of reed player Maarten Ornstein. He invites the audience for a ‘jazz trip’ through Punjabi Bhangra and asked Ranjana Ghatak (UK/India) to join him.

For this tour, Maarten Ornstein has composed new works for a line up of horns and voices. He was inspired by Bollywood soundtracks and by the rich tradition of Sun Ra.

vocals Ranjana Ghatak (UK/India), replacement for Madhushree Bhattacharya (India) | clarinet Shabaka Hutchings (UK) | tenor saxophone, bass clarinet Maarten Ornstein (NL) | trombone Hilary Jeffery (UK/Germany) | bass Alex Oele (NL) | drums, samples Eric Hoeke (NL)

French top talent Jean Christophe Bonnafous (1977) is one of the cherished students of Indian bansuri master Hariprasad Chaurasia. Bonnafous began playing the bansuri flute at the age of 27 and despite his late start his star appeared to rise quickly. For Music: World Series he invited like-minded, promising musicians for a first encounter. Indian classical music and Lithuanian folk music are the through line, enriched with African grooves, feisty flamenco, and adventurous jazz.

Jean Christophe Bonnafous bansuri | Indre Jurgelevicitute kankles, voice | Bert Cools guitar and effects | Marcello Windolph bass | Miguel Hiroshi percussions

The men of Knalpot (Vanoli/Jäger) don’t think in genres but in grooves. ‘Tripping grooves’ to be more precise. With special effect boxes, Casio’s and self-made electronic features to go with drums and guitar, Knalpot easily moves between the jazz scene and the pop and rock scene. For this project guitarist Raphaël Vanoli allowed himself to be inspired by the intense singing of the Senagalese Omar Ka.

singing, akoustic gitar Omar Ka (Senegal, NL) | trumpet, electronics Eirikur Orri Olafsson (Iceland/NL) | trombone, electronics Hillary Jeffery (UK/Germany) | gitar, bass, electronics Raphaël Vanoli (Duitsland/Frankrijk/NL) | drums Gerri Jäger (Austria/NL)

The mystic, bronze sound and the tumbling rhythms of the Javanese gamelan are universally fascinating. Add to that the musical cultures from Vietnam, Turkey and Zimbabwe and a stirring musical kaleidoscope is created. The former national tone poet (2002) Sinta Wullur and her gamelan keyboard are the instigators of this concert.

gamelan klavier, singing Sinta Wullur (Indonesia) | dan nhi, dan bau, drums Quang Ngohong (Vietnam) | synthesizers, samples Martin Rascher (Germany) | m’bira Debby Korfmacher (Netherlands) | drums Alper Kekec (Turkey)

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Prinsestraat 42
2513 CE Den Haag

postal address

Postbus 13407
2501 EK Den Haag
tel: 070-3637540
fax: 070-3562251

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