Mirjam van der Linden in de Volkskrant: “Chapeau for the artist who knows how to seduce a group of strangers to participate in a closing ceremony in which a watermelon functions as sacred bread and almost everyone in the circle makes a devout wish.”
Klaus M. Schmidt in West-Deutsche Zeitung: "Yet, one is touched by the performance because it presents the reality with an alienating view at the future, outside of the protected environment of the theatre.”
Hans-Christoph Zimmerman in General-Anzeige: "A stunning and disrupting evening.”